Transitioning weather – the most interesting time to be outside. On a brisk day such as this one, plein air painting would be impossible, but with a camera I can record the moments and remember them back in the studio. Once I start the painting, I hardly look at he photos – they seem too stiff. Instead, I let the paint itself slip and slide around, taking advantage of the viscous paint to simulate the movement of water – more fun, less predictable. Enjoy!
Technical painting notes: The paper is heavy, rag paper, sometimes smooth watercolor paper, other times printmaking paper like BFK or Stonehenge. I always prime it front and back with a coat of acrylic gesso or shellac to seal it, protecting it from the acids in the paint. In doing the painting, I use quantities of Winsor Newton Liquin medium to thin the paint while maximizing adhesion and dry times.